Three Lifestyles

Grammar is dangerous, and grammar is helpful. To put it differently, grammar determines who you are. You have to watch out for its traps, and also seek its benefits.

A coffee mug is a noun, which we can also call a thing or an objet. It wants to exist as an objective reality; or, rather, we like to believe that the thing or object is, you know, objective. A coffee mug is a thing, unchangeable until you break it.

But love too is grammatically a noun, as are “beauty,” “idea,” “fear,” “performance,” and “confusion.” This is tricky, because you might really start thinking of love as an object or a thing with its hoped-for objective dimension.

A concert is coming up. You need to “give a performance.” Then you put yourself in an object-oriented frame of mind, where the performance—a noun—becomes a thing with an apparent objective reality. This is the “noun frame of mind,” with its own practicalities. It tends to make performers very nervous and frustrated.

How about you put yourself in the “verb frame of mind”? Instead of “giving a performance,” you “perform.” This, too, has its own practicalities.

Become a verb, and you’ll heal yourself from being a noun.

Action happens in time and space. It expands and contracts. It changes, sometimes unpredictably. The thing called “a performance” has measurable parameters: “I want my performance to be like this, and like this, and like that.” The action of performance is less easily measured. “I performed, and—wow. I can’t tell you what happened. In the act of performing I became transformed, and so did the public. Not everyone enjoyed it, but—wow.” Unlike a fixed object, action evolves, so to speak.

Noun: “My love for you is a coffee mug.” Verb: “I love you like flowing steam pressing against tightly packed freshly ground coffee in a De’Longhi Magnifica, no milk, no sugar, thank you. And keep the change.”

It’s not the same love, is it?

It’s a big deal to pass from being noun-oriented to verb-oriented, from thing-oriented to action-oriented, from object-objective oriented to subject-subjective oriented. I’m dying to Google-translate this last sentence into German and credit it to Freud or Goethe, but instead I’ll translate it into Fridge Magnet and credit it to Siddhartha: “Love is an action, not an object.”

Ah, irresistible.

Freud image by Evgeny Parfenov.

Believe it or not, this post isn’t about the difference between object and action, noun and verb, coffee mug and caffeine jolt. Everything so far was just the olives before the tajine (“die Oliven vor der Tajine“), the anesthetics before the surgery (“die Anästhesie vor der Operation“), the cartoon before the feature (“die Micky Maus vor den Sieben Samurai”).

I like reading, studying, and learning. It’s probably the main aspect of my existence, a constant, a defining trait. An example: for the past few years I’ve been learning Spanish, thanks to books, newspapers, films, documentaries, meetings, encounters, and also lessons with a marvelous teacher. Another example: most days I visit Wikipedia and read up on stuff. Some of it is pretty straightforward: biographies of musicians, the rise and fall of the Holy Roman Empire, mating habits of extinct insects. (Liar.) I read about Johannes Brahms, I add information to my knowledge of the great composer, and I check YouTube for works of his that I wasn’t previously familiar with.

And then I try—oh, I try!—reading up on German philosophers. Schopenhauer, for instance. Or Kant or Nietzsche or Kakadu, Graf von Käsespätzle. And by the second paragraph of Kakadu’s page I don’t know what on earth Wikipedia is talking about. However many times I masticate it, the Quietscheentchen Conjecture won’t go down. I spit it out, or as Nietzsche would say, “Ich spucke es aus.”

Another ignominious defeat comes when I tackle quantum mechanics. It doesn’t matter if I approach it in English or in Sanskrit. (1) I don’t understand it. (2) Nobody does! Mathematicians and physicians. Werner Heisenberg. Ernst Schrödinger. Marlene Dietrich. But—and this is what this blog post is about—the fact that we don’t understand the probability fields of quantum mechanics doesn’t have to stop us from embracing it as a life principle.

I went onto the Marvel Fandom website (home of 250,000+ fan wikis). I don’t know Kakadu about Marvel characters and stories, but the website had something helpful to say about the probability field. Abridged:

The probability field is the fifth unifying force in the Grand Unification Theory (along with gravity, electromagnetic, and the strong and weak nuclear forces). As it governs reality, its manipulation allows various super-powered individuals to alter reality on a microscopic or even macroscopic level. The term was first applied to that which mediates between space-time and consciousness by neurophysiologist Sir John Eccles (1903-1997, Nobel Prize 1963). . . . The whole universe is enfolded in everything and each thing is enfolded in the whole; and it is the probability field that controls and connects all things.

Some Marvel characters who have the superpower to manipulate the probability field include Black Cat, Longshot, and Scarlet Witch. And, no, I have no idea who they are.

Let’s pick a score by Johannes Brahms—the “Deutsches Requiem” will do. It’s tempting to consider it as an object, a thing, a well-delineated entity that you can see, touch, and read. But its object-like dimension is secondary to your subjective action of reading it, and also interpreting it in rehearsal and performance. Brahms becomes a verb: “I’m Brahmsizing all week. It feels good.”

According to my newly acquired Marvel wisdom, the “Deutsches Requiem” isn’t an object or an action at all. It’s a probability field. It “mediates between space-time and consciousness,” that is, it offers you a labyrinth of vibrational meaning in which you, Brahms, and the rest of the whole universe become folded-in-one like a lawn chair in a hurricane. Longshot sings “Der Gerechten Seelen sind in Gottes Hand” in G-flat major. Scarlet Witch plays first horn, and Black Cat plays the triangle. The Fridge Magnet says, “Love is an action, not an object.” Marvel says, “Love isn’t an action nor an object. Love is a probability field.” The field is intrinsically uncertain. It looks and behaves differently according to who occupies it. To explore the field is to transform it. You pay attention, and the field lights up and moves. You stop paying attention, and the field dissipates and vanishes. The field is a version of you, and you’re a version of the field.

Love is just an illustration. Everything can be seen as (1) an object, (2) an action, or (3) a probability field. Each of these dimensions comes with its practicalities.

It’s good to be verb-oriented and subject-subjective-oriented. It really is wonderful. But the ultimate psychic transformation lies in going from object to action to probability field. Action implies intention and agency, choosing this path over this other path. The probability field implies infinite complexity and deep connection, all paths walked at the same time, excluding nothing and embracing everything. As Freud once said to Goethe, “Der dumme Brasilianer weiß nicht, wovon er redet, Kakadu!” Translated to Fridge Magnet: “Don’t worry, be happy.”

It’s a superpower.

Read this short blog post if you didn’t understand this long one!

©2021, Pedro de Alcantara